Gamelan Dimensi Kelima (Indonesia, 2014)

Field recordings and gamelan from my visits to Indonesia in 2014.

As well as the tracks recorded in Indonesia, the album includes gamelan ensembles in Western Australia, and NZ between 2010-2018.

Listen


About

The album title translates to “Gamelan Fifth Dimension”.

Gamelan was introduced to New Zealand in the 1970s. It has an active scene in Wellington (my birthplace, where I first encountered it in 2010 – thanks to www.gamelan.org.nz ).

From 2012-2014 I lived in Perth, Western Australia, and played in the ensemble Gamelan Sekar Puri. From there I was able to visit Indonesia (and Malaysia) relatively affordably.

On returning home to New Zealand at the end of 2014, I spent the next few years as a member of the Wellington gamelan ensembles: Gamelan Taniwha Jaya (Balinese) and Gamelan Padhang Moncar (Javanese). In 2017 I moved to the Wairarapa, so travelling for regular rehearsals became impractical.

The field recordings were made in 2014 in Indonesia -in central Java, then Bali and Nusa Penida islands;

As well as very different scenery, cultures, cuisines and religion – the islands have strikingly different subgenres of gamelan. Stereotypically, the Javanese style is more hypnotic and meditative, while the Balinese style is faster and complex.

Yogyakarta and Surakarta, Central Java

Bali and Nusa Penida

Credits

  • Dave Edwards – saron, jublag, jegogan, field recordings, bass, electric guitar, tenor saxophone

The field recordings are mixed alongside gamelan ensembles, recorded between 2010-2018;:

Other collaborators

The album also includes other, more experimental Indonesia-inspired 2010s collaborations with fellow postpunk expat ethnomusicologists:

Tracklist

1.Gamelan Taniwha Jaya – Gareth Farr: Mummy, do monsters clean their teeth? (2010) (bonus) 01:20
2.Gamelan Sekar Puri – Ladrang (ayum jantan dari Perth?) 02:14
3.Borobudur ke Kraton ke Prambanan (Yogyakarta) 04:08
4.Gamelan Pura Mangkunegaran – Slendro dan pelog (?) 04:00
5.snakebeings + fiffdimension – Kuningan dan perunggu 02:50
6.Gamelan Taniwha Jaya – Gopala (Bali) (live at NZ School of Music, 2015) 01:15
7.Ubud scenes (Bali) 02:30
8.Nat da Hatt + fiffdimension – Lost in the Monkey Forest 03:47
9.snakebeings + fiffdimension – East to West: Indonesia (live at the Audio Foundation, 2014) 04:33
10.snakebeings + fiffdimension – Sampak Membengkak 03:41
11.Gamelan Padhang Moncar – Ladrang Slament Slendro Manyura + Ketawang Sinom Parijata 02:01
12.Gamelan Padhang Moncar – Nusantara (live at Te Papa, 2016) 02:29
13.Gamelan Padhang Moncar – Improvisasi (di musim panis Wairarapa) 01:49
14.Dimensi keempat dan kelima (2023) 08:13
15.Gamelan Taniwha Jaya – Teruna Jaya (live at Te Papa, 2016) 01:00
Continue reading “Gamelan Dimensi Kelima (Indonesia, 2014)”

아리랑

Live 4th May 2019 at Wairarapa TV May Music Marathon

Banjo rendition of a Korean folk tune 아리랑 (“Arirang”).  The banjo is not typically found in Korean music – this would normally be played on a gayageum.

Continue reading “아리랑”

Wayang for Cirebon – 30 June 2018

Saturday 30 June 2018
in the Adam Concert Room (NZSM, Victoria University of Wellington).
$30/adult – all proceeds go to Cirebon

This show is a repeat of our recent successful show at CubaDupa.

This fund-raising event was sparked by a tragedy in Cirebon, Indonesia, in April this year when a wall adjacent to the rehearsal space collapsed on top of the players, killing seven youngsters, aged between 12 –15 years, and their teacher, dhalang Mas Herman Basari.

You are invited to attend what promises to be a spirited occasion, and to contribute generously to the funds. The programme for this concert will include:

  • A wayang kulit (shadow puppet show), The Fall of Gathutkaca, performed by dhalang Ki Joko Susilo, accompanied by Gamelan Padhang Moncar of the New Zealand School of Music, Victoria University of Wellington.

Continue reading “Wayang for Cirebon – 30 June 2018”

Other Islands: 2012-2018

“The 20 song album covers traditional Javanese and Balinese gamelan, Asian folk music, to free jazz, and free noise. It’s not for anyone with narrow preconceived ideas about what music is, but it is for everyone else.

“If you have an open inquiring mind and love hearing a variety of sound, this is excellent.” – Darryl Baser, muzic.net.nz

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Featuring tracks from the albums

If you enjoy this, try the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

Gamelan Padhang Moncar @ Pataka Gallery

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5 Feb – 13 March 2016

ShadowPlay – an exhibition of wayang kulit shadow puppets from Cirebon (West Java) at Pataka Museum in Porirua.  The antique collection of puppets was purchased by the late Allan Thomas (who also commissioned me to contribute to the book Jazz Aotearoa) in 1974 together with a set of gamelan instruments. Jennifer Shennan and Joko Susilo have worked to curate a unique exhibition showcasing these treasures.

Associated events:

Saturday 6 February, 11:30am, Performing Arts Studio, Pataka Art + Museum

Wayang kulit performance by Joko Susilo accompanied by The First Smile gamelan.

Sunday 7 February, 1:45pm

Concert by Gamelan Padhang Moncar.

Gamelan Padhang Moncar is a group of New Zealand musicians dedicated to the study and performance of Javanese music and based at the New Zealand School of Music (Victoria University campus) in Wellington. They are directed by Budi S. Putra, and managed by Megan Collins.

The group performs traditional repertoire from the courts and villages of central Java as well as contemporary works by New Zealand composers such as Jack Body and Gareth Farr. They also frequently accompany wayang kulit (traditional shadow puppetry) with Joko Susilo.

Members come from a diverse range of backgrounds and include: Judith Exley, Marie Direen, Jo Hilder, Greg Street, Pippa Strom, Mike Jones, Briar Prastiti, Jason Erskine, Helen O’Rourke, Stephanie Cairns, Carina Esguerra, Rupert Snook, Tristan Carter, Jack Hooker, Megan Collins, Anton Killin, Alisa Hogan, Bronwyn Poultney.

I’ll be joining the group in 2016, after performing with the Balinese gamelan ensemble Gamelan Taniwha Jaya in 2010 and 2015 and playing Javanese gamelan in Perth and travelling to Java in 2014.

Panoramic With Singers
Gamelan Padhang Moncar

The Javanese name can be interpreted in several ways. Continue reading “Gamelan Padhang Moncar @ Pataka Gallery”

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).

Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi

As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.

Little India, Singapore

A major highlight of 2014 for me was visiting some new parts of Southeast Asia. I enjoyed the Tamil Indian culture in Singapore and Malaysia, which has sated my curiosity for India itself for the moment.

The sensory overload of the Hindu temples was an intriguing contrast from the elegant minimalism of the Japanese approach, and the mix of Indian, Chinese and Malay cultures is like having three different Asian countries in one.

Nusa Penida, Indonesia

Nusa Penida is a smaller island between Bali and Lombok, about an hour by boat from Sanur in Bali.

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View from Nusa Penida towards Bali and Mt Agung

I spent a week as a volunteer with Friends of the National Parks Foundation. I helped with feeding the Bali starlings (critically endangered due to poachers – the population was down to 10 at one point but is now over 100 thanks to the translocation project), along with plant nursery maintenance, a beach cleanup of plastic waste, and construction of the new FNPF premises (thatched huts on a terraced hillside, and gardens that will be beautiful once established).

An endangered Bali Starling, Nusa Penisa, Indonesia
An endangered Bali Starling, Nusa Penisa, Indonesia

Nusa Penida is much less developed than Bali, and resembles Bali as it might have been 40 years ago before the tourism boom. Accomodation is simple, with basic facilities (eg cold showers – actually very pleasant in the tropical climate – bucket-flush toilets, and limited food variety).

For tourists it offers great snorkelling & diving,

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and enough Hindu temples & local colour to make it interesting culturally. It’s nice to not be hassled to buy things as much as in Bali. Mostly people just say ‘hello’ (in some cases it’s the only English word they know).

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I also need to mention The Gallery, run by an English expat Mike Appleton – it’s THE place to go for local information, language interpretation, western food, and to support local artists.

The main amenity I missed was reliable internet connections – there was no access at all for five of the nine days I was there, and when it was available it was patchy & unreliable even at the one internet cafe in town.  Lesson from this for me was to finish all travel bookings before  going somewhere remote like this.  Even back here in Bali the connection is too slow for me to upload any sounds or other photos, so I’ll add more later.

I also had a motorbike accident, though not the kind you’d expect. Continue reading “Nusa Penida, Indonesia”

Singapore

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If you’ve never been to Asia before, don’t speak any Asian languages, and have only a day or two available, Singapore would be a great introduction.

You can find tropical rainforest and the sea,  traditional and modern architecture, and the cultures of China, India, the Middle East and the West all in one city.Most people speak English, buses are frequent and on time, and it even has a nice airport complete with indoor gardens.

Just try not to think what it would cost to live here… and with Malaysia and Indonesia still to go on this trip I imagine things will get more chaotic as I go! I made some sound recordings, which will find their way into some new music pieces eventually.  In the meantime here are a few photos.

Dave Black & Snake Beings: East to West

East to West brings together for the first time two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists, taking the audience on an epic journey from one side of the Eurasian continent to another in the space of an hour. Continue reading “Dave Black & Snake Beings: East to West”