Quietism (2024)

Early 2024 – the first new recordings made since the 25-year-spanning 2CD compilation; the start of the fiffdimension 2nd quarter-century.

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Video

About

By Dave Edwards early 2024, summertime in NZ –

Solo suite for electric guitar, bass and electric drums – one single take of each, using overdubs to create a virtual trio.


Tracks 1-3 and 12 recorded early January 2024 – the rest recorded 6th February 2024, in Featherston, Aotearoa / New Zealand

The title ‘Quietism‘ refers not so much to the sound, but to the absence of vocals – or any reference to current news or politics. Part of the fiffdimension aesthetic is a certain wilful irrelevance, and ignoring of trends.

The last track ‘Hypnopompia‘ (waking up) experiments with a possible new ambient style.

The cover art is an abstract scribble drawing – attempting to bypass conscious self-doubt and create ‘something… anything’. A theme also explored in works such as Assembling Disconsonant (2023).

Tracklist

Continue reading “Quietism (2024)”

Assembling disconsonant

This was chronologically the last piece recorded on the Acoustic yin / Electric yang 2CD, released to celebrate the 25th anniversary of fiffdimension in 2023.

“I liked the lyrics… the the way meaning gets assembled through shattered snap shots of a picture we may never see”
Dr Emit Snake-Beings

Method

New improvisational raw material post-composed & aleatory generative texts added, in a kiwi accent:
I did the bass improvisation first, then played along with it on guitar and banjo, then improvised vocals with nonsensical words (Paul McCartney conjuring ‘get back’ in the documentary), transcribed, rewrote into English words (if not grammar), and fed that into Google search and read out cutups (Burroughs) of the search results to supplement it… I’ve had hangups for years about writing, so was looking for ways to short circuit my conscious doubt.
the title ‘assembling disconsonant’ describes the method?

meaning is optional

chance methods are supplementary

but starting with the bass part ensures the whole thing is built on a (human) groove

& stylistically a middle aged update of (early 2000s) solo pieces like https://fiffdimension.bandcamp.com/track/in-a-who-gets-to-who-who-does-him :

Lyrics

Assembling disconsonant,
(fine do it all in half take);
hours of wisdom, years of folly.

Far digressed – how far digressed at a woeful seed inconsolate engraver’s nest
How hard to be in vain

How many times of an awkward persuasion upon the twenty years and twenty more and hence the days of which were gone & now to rest.
A suitor sang he was inclined to raise the best achievements blessed & heard the worst & called a hearse & vain & vaguely followed favour on the rest declined.
Declined in favour on the rest to be the best & live in vain achiever’s nest with leave was blesst & obviating scrying
Meticulously dragged upon & a bird’s beak greed construed with macroeconomic trade sessions, subscriptions now open declined (the underappreciated Old Testament Galatians had suffered great reproach). Many afflictions & persecutions, theoretical thrifty gene.

Nothing more than had to be at said, nothing more that had to be at days, tomb towards them in time, hand the rest in brave the test in mouth begotten porcupine time expands in furtive graze to grind.

The only hope for awkward days
In said to be at sun was said to set in severed set in needle’s rest in groove.

Nonsensical of syllables attempting to reinstitute a thing for an institution only slightly half dizzy – he’d gotten off work at only 5:20…

credits

released May 6, 2023
Dave Black – bass, classical guitar, banjo, vocal

Recorded in Featherston, New Zealand, May 2023

in a wildflower state (Western Australia, 2013)

In late 2012, after leaving Japan, I moved to Australia for the second time – this time to Western Australia for a couple of years…

in a wildflower state is a lost album – recorded in Perth WA and surrounding regions, between 2012-2014 – unreleased at the time.

The music here is rustic, reflecting the vast ancient arid landscape, overlaid with touches of Nyoongar and bogan sounds. It  includes appearances by Nat da Hatt, Cylvi M, and Renato Salvador.

Videos

Tracklist

1.Didgeridoo overture / overkill 01:47
2.Dry wind (Fremantle doctor) 01:26
3.Nat da Hatt + fiffdimension – The Road to Bogandoor (Australian election 2013 mix) 03:46
4.Sandalwood & Quandong 04:38
5.Ukulele & magpies 01:23
6.Kalgoorlie super pit 04:25
7.Brazilian BBQ (ft Renato Salvador) (bonus) 04:33
8.Rabbit proof fence (bonus) 03:19
9.Nat da Hatt + fiffdimension – The Horror (sports mix) (bonus) 03:35
10.Scabbers’ beach 02:45
11.Cylvi M – Ode to Ed Kuepper 01:06
12.Mundaring Weir 01:49
13.Stomping in Freo (bonus) 02:17
14.Kalbarri coastline 04:55
15.Stromatolites 01:49
16.Inverno ’13 (Indian Ocean sunsets)

Life in Western Australia, 2012-2014

Known as ‘the Wildflower State’, Western Australia covers an enormous area – the size of India, but with a population of under three million. Metaphorically, to be a ‘wildflower’ can also mean a wandering spirit or traveller (such as a kiwi expat on an OE).

Continue reading “in a wildflower state (Western Australia, 2013)”

w/ James Robinson – Negentropic Diatribes (2022)

Multimedia spoken word and music collaboration between two unique NZ artists:

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About

James Robinson is a mid career contemporary New Zealand mixed media artist, exhibiting widely since 1989 – www.jamesrobinson.nz

fiffdimension is music and multimedia by Dave Edwards (aka Dave Black) and collaborators, since 1998 – www.fiffdimension.com

We met in the early 2000s, and finally collaborated 20 years on. Negentropic Diatribes was recorded in Otago in 2022, as James used spoken word recordings to discuss his creative process and innermost thoughts.

The musical settings were created by Dave in Featherston – plus contributions from other collaborators.

credits

  • James Robinson – words, voice, paintings & drawings, bell drum
  • Dave Edwards – electric guitar, bass, loops (2,6,9), midi (9,13), ukulele (11), harmonica (14)

with

Tracklist

1.Telescopic Misanthropy (take 1) 02:10
2.Tendrils of Glowing Memory Filaments 04:31
3.Nothing Can be Threatened by Nothing 04:19
4.James Robinson + The Troubled Times – The Edge 03:25
5.James Robinson + snakebeings + fiffdimension – Dialogue with the Divine 05:30
6.Well Done Son! 00:54
7.Old Brain (metadada of Oceania remembering) 06:19
8.James Robinson – Is Not Art 03:29
9.Existential Threat 01:02
10.Got Razed 07:34
11.James Robinson + snakebeings + fiffdimension – That which is itself nature 05:00
12.James Robinson + Trillion – Bath poem 10:31
13.Psychocultural Glossalalia 01:39
14.James Robinson + Nat da Hatt + fiffdimension – Ake Ake Amene 18:20

James Robinson

James won 2007 paramount prize in the wallace award for
” Taniwaha dragon mother ( spirit bones)”

Read more: w/ James Robinson – Negentropic Diatribes (2022)

‘… a great big flatulent belch of fresh air amongst all the tight-sphinctered, deodorised boys and girls of the accepted national art world….. off-kilter and threatening but always sumptuously, gloriously beautiful.’

– Chris Knox.
Continue reading “w/ James Robinson – Negentropic Diatribes (2022)”

Spastic Rhythms ’22 (2022)

Featherston, NZ – early 2022 – spontaneous compositions, two wet weekends in a row.

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A sequel to Spastic Rhythms vol 1 (2021)

  • second in a series of ‘quickfire’ DIY solo albums, created in a couple of days each.
  • This one features interspecies guest collaboration with Oscar the huntaway.

credits

Oscar and Dave

Dave Black – guitars, bass, banjo (2), clarinet (6), sanshin (10), loop pedal, e-drum

Oscar – vocal (3,9)

released February 13, 2022

Tracklist

1.Drums on Waitangi Day 00:54
2.Estado Novo 01:20
3.Oscar – Oscar’s Blues 01:28
4.fiffdimension / snakebeings – Arising (into Fragments) 03:51
5.Black Mountain (Црна Гора) 00:59
6.Shuffling the Tarot 03:39
7.Classical rain bucket 01:41
8.Rebooting 02:52
9.Oscar – At home pants ft. cannon bone 02:12
10.Removing a bandaid 00:51
11.Shuri Jo (琉球諸島) 01:03
12.Waiting for Dovi 05:24

Further listening

águas brilhantes: 2018-2022

A compilation of tracks from the Wairarapa in these years.

“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz

w/ Antony Milton: Return of the Sun

Antony Milton is a sound artist based in Masterton, New Zealand.

He has been active in the underground and experimental music scenes since the early 1990s.

Continue reading “w/ Antony Milton: Return of the Sun”

The 2021 debut album by The Troubled Times!

This was our first recording session, as an electric guitar improv duo – in collaboration with antonymilton.bandcamp.com

Recorded in Masterton, New Zealand, 26 September 2021 – on the first day of daylight savings, in the southern hemisphere Spring,

Antony Milton is a sound artist based in Masterton, New Zealand.

He has been active in the underground and experimental music scenes since the early 1990s.

Continue reading “w/ Antony Milton: Return of the Sun”

Escape Velocity: the Electricka Zoo live

New live album!

With New Zealand in lockdown this might be the next best thing to an actual gig..

Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18

Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18

As part of the New Zealand Fringe Festival

credits

The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar

www.fiffdimension.com/the-electricka-zoo

PSI​-​SOLATION + 1 (one year on)

PSI-SOLATION | a global compilation of music made in lockdown | CELEBRATE PSI PHENOMENON (bandcamp.com)

2021 compilation album curated by Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room gallery in Featherston.

A sequel to his acclaimed 119-track Psi-solation compilation of music made in lockdown 2020.

Both albums are pay what you want via Campbell’s label, Celebrate Psi Phenomenon.

I contributed a new Dave Black piece, Outono 21.

Continue reading “PSI​-​SOLATION + 1 (one year on)”

ilhas Atlânticas

This track was originally recorded by The Electricka Zoo (2017), and appears on the Other Islands: 2012-2018 compilation. It’s based around a (non-diatonic) Cmaj7 – Amaj7 pattern, with a bossa nova rhythm.

It’s dedicated to my great-great-grandfather Manuel Bernard.

Manuel José Bernard (1847-1928)

He was born in 1847 in Ponta Delgada, Flores Island, Azores, Portugal.

The words are in (beginner) Portuguese:

Eu gosto de falar

no meus ancestrais

de as ilhas Atlânticas

Madeiras e Açores

Portugal is the westernmost country in Europe, with its back to it geographically and culturally. It was the edge of the known world for Europeans until the Age of Discovery. The Azores islands are even further west.

As a teenager, Manuel Bernard stowed away on a passing American whaling ship.

From a remote island in the Atlantic ocean, he ended up on an equally remote island in the Pacific – on the opposite side of the world, in Wellington, New Zealand.

Continue reading “ilhas Atlânticas”

Spastic Rhythms vol1 (2021)

A quickfire Dave Black solo EP, recorded one summer morning, 24 January 2021

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[send us your review]

It includes ilhas Atlânticas, a tribute to my Portuguese ancestor Manuel Bernard.

Tracklist

1.banjo trio 24/1/21 03:01
2.drums 1 24/1/21 00:49
3.guitar trio (ringtone) 24/1/21 02:07
4.gritches blerk 24/1/21 01:12
5.spastic drum solo 24/1/21 04:38
6.ilhas Atlânticas 03:12
7.Outono 21 08:49

Further Listening

The album adds banjo and electric drums to the 2020s Wairarapa DIY solo electric improv style begun in

Glimpses of Utopia (2020)

The first of the ‘late period’ solo instrumental albums.

águas brilhantes: 2018-2022

A compilation of tracks from the Wairarapa in these years.

“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz